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Lumenlab > THE LIBRARY: Texts, Tools and Techniques > Calibration and Tools
Natural Newbie
there is alot to properly calibrating. i read a lot and there is still more, and it is amazing how
in-depth it can actually be. But when it comes down to it, this isnt nuclear engineering, everything does not have to be perfect according to the measurements gave by expensive equipment. What is necessary is the user likes the image.

The problem is some of our DIY PJs settings are so out of whack, we dont know a good place to start to get it to the point where we like it (even if it isnt "perfectly" calibrated).

one very important aspect is our display gamma. If this is off our picture will not look correct. Display gamma for TVs and PCs is between 1.8 and 2.2. Macs are 1.8, CRT TVs are usually 1.8, PCs with a CRT are usually 1.8-2.0. PCs with an LCD are usually between 2.2-2.4. Film (DVD) and HD content should have a display gamma of 2.2! So we should aim for 2.2 or close to it.

We have all heard the complaints:
"my image is to dark, no shadow detail". It is highly likely your gamma is 2.5 or higher (2.8 even)
"my image is washed out, even dark scenes look grey". It is likely that your gamma is to low 1.5 or
lower.

Now brightness (black level offset) and contrast (luminance multiplyer) settings can affect these as
well, but even if brightness and contrast are optimized; if our display gamma is not close to 2.2 our
image will look ... well... like crap.

What is gamma? Gamma is the non-linear display of the brigtness of our screens from IRE levels 1 to 100
(or RGB levels 0 to 255).

Why gamma of 2.2? There is a long history behind it (all the way back to the 50's and the origin of
NTSC TV standards), but the bottom line is, we do not see brightness linearly, so to get the most vivid
image to our eyes (in a dark room) a gamma of 2.2 is used.

Here is a picture of some gamma curves


As.... i forgot what i was saying....

Next thing, what greyscale range are we in.

for computers its 0-255
for video DVD's (sometimes) its 16-255
this is kind of a grey area, because if you play a DVD through a computer, what is actually black, 0
or 16? I will need some help here. Either way, you need to adjust brightness and contrast to make sure
you see the full range.

Next is color balance, which also affects color temperature 6500K is our aim. My ushio s400DD has a green push, and an undersaturated blue. So for a correct
color balance I had to lower the green setting on my controller board (optimally a color filter would be
used instead). This reduces the amount of colors displayed, and reduces overall contrast ratio (color
contrast ratio). But the sky is blue now, and not sea green (you get the idea). Using a digital camera
with cloudy (6500k) or daylight5200k) white balance, and a picture editor, we can look at the histogram and see the
intensity of each color. We can also use a lux meter and measure the gamma curve of each color. The
human eye "adapts" to color and brightness. So even if the PJs colors are off, they will look OK after
a few minutes. A quick test is to look at your nice PC LCD screen (white screen) when go look at your PJ
white screen right away. Your PJ screen will probably look murky at first (green tint in my case).
Then a few minutes later it will look perfectly white. Once we adjust the color balance it should look
perfectly white right away after looking at your PC LCD screen.


As of now I have made a small excel program to see the greyscale and color gamma curves using a CIE
luxmeter.
I still am going through the procedure to calibrate our PJs. I also want to put together some comarision
pictures of normal, high and low gamma curves. Along with brightness and contrast (white and black
crush). So we can all get visuals of how these settings affect a picture.

More to come soon
Natural Newbie
COLOR BALANCE and TEMP

The tools we need here a digital camera you can manually set white balance and exposure on.
And a program that can show histogram data

for the LCD screen my shutter speed was 1/50, for the PJ my setting was 1/5. If you dont under expose the image everything will be pure white no matter what the color blance is.

I use this one, here is a link to the site -- http://home.pacbell.net/michal_k/exif_v.html
and here is a direct link to the zip file -- http://home.pacbell.net/michal_k/Download/exif.7.19.zip

The pictures are pretty self explanatory.

#1-3 are my computer monitor. On #1 I set my viewsonic to 6500k and verified that with my camera. #2 is to show the difference in histogram with different camera white balance. #3 i mimicked the green push affect.

#4-6 are to see if there is a color shift when changing power levels, and to see what the uncalibrated color balance is, obvious green push and lack of blue.

#5 is where I lowered my green and red to bring my PJ color settings to something close 6500k. (compare this to #2)

#6 shows the blue is weak, maybe not in brightness, but in the wavelength; which is why it looks under-saturated (comepare to #1)

Natural Newbie
GAMMA

here is the excel spreadsheet
Click to view attachment

and here are the images
Click to view attachment

Basically just cycle through the images from 0 to 255 for grayscale and each color while recording the lux number in the excel spreadsheet. The spreadsheet will plot your gamma curve. Then from there you can adjust your gamma accordingly. If you are using a computer with a good grafics card this will be easy using the settings. People using dvd players or xboxs may not have gamma adjustments. Some monitor controller boards may also have gamma adjustments.

Even if you dont fix the gamma, you can at least play with the program! Let me know what you think.

(the lux meter must not move at all for these tests, reccomend mounting it on a tripod or something)
(also record lux numbers a few feet from the triplet, not at the screen)

There is some data in there from me that you can use to compare. Right now the vx2000 monitor is a "baseline".

I never got to making the comparison pictures, oh well wink.gif
Natural Newbie
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elken2004
good info,,, adds to what I did a year or so ago,, keep it up..

becomes interesting when working with the 150 watt ceramics,, all those adjsut happen so much better, with a lamp that has more balance in its spectral range... I have been using it for a year plus now,, and have a good gamma range.. gotta be carful with software gamma adjsuts tho too, there are limits to how much gamma you can use,, or it starts to pixelate,, so the real secret is to have a good lamp to begin with,, this then allows your range of brite/contrast and especially the gamma, to have a bigger window of adjustments.. smile.gif
Durachko
Thanks NN. Finally getting around to doing a little tweaking along these lines and figured I'd dump some of my info in here to maybe breath fresh life into your topic. This is with a generic 575HMI from ebay on dual S51 ballasts (and capacitors to get current where it should be with expert coaching and advice from ArizonaVideo). Power off screenie shot with my Canon S30 on "sunny" white balance setting.

Click to view attachment

Corresponding histogram. Not quite what I expected but what do I know. Still trying to figger dis stuff owt. smile.gif (I expected less green push.)

Click to view attachment

Note: The artifacts in the above image are from gif-ing it. wink.gif
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